Of the many reasons to treasure David Lowery’s new film A Ghost Story, one of the biggest is the way it outlines the shape not just of one human life, but of human life in general. With its round-cornered, boxy aspect ratio—familiar to anyone who’s ever used a slide projector or watched a home video on Super 8 film—A Ghost Story offers us a cosmic home video of sorts. The lives of one married couple fold into the lives of the people who come after them, which then fold into the eternal, which in turn encompasses and contextualizes the lives of the husband and wife we started with.
This may sound like the concept for an abstruse philosophical epic, but the miracle of Lowery’s film lies in how it teases out these connections through the simple act of observation. Under the patient gaze of Lowery’s camera, the ordinary becomes extraordinary, and vice versa. The cosmic and the commonplace are woven into a single fabric, like the white sheet that shrouds the eponymous ghost.
Read the full review at Christianity Today.